Voice of the Show

Playing Pinocchio! - Week Seven... by Suzanne Kendall This week Maud met Ronnie Le Drew! It was time to bring our muppets out of the bag again and I was pleased to see Maud after my brief affair with bin bags and marionettes over the past couple of weeks! I think she was pleased to see me too, mind you she always has the same smiling eyes and facial expression! However, this week she'd have some more life breathed into her and I'd get to see how much more dynamic she could be... Ronnie Le Drew (see Week Two ) went around the room and briefly tried out everyone's muppets. He demonstrated how the look of the muppet could inform their voice and the way they moved - their character. He showed us various ways of 'walking'. He also taught us how to operate the muppet's mouth when it's 'speaking' - how to lip sync the muppet with our voices - we practiced this by counting. When we got to number 'sev-en' the muppet opens and closes it...

Playing Pinocchio! - Week Six... by Suzanne Kendall Don't tell Maud (the muppet I made 3 weeks ago)... but today's class made her look a little unsophisticated! Hard to believe I know! And that is because we worked with marionettes - defined as puppets on strings. Rather complex little creatures.. The session was taken by Tinka Slavicek - a puppeteer and puppet maker. For more info about Tinka and classes she runs at Little Angel Theatre, see: http://bit.ly/2stfOCh And she brought some of her friends along too... After a demonstration on how some of the marionettes worked, we were lucky enough to spend an hour or so playing with them ourselves. I dashed straight to the more-or-less life-size marionette of the little girl, seen here in the top picture. Talk about jumping into the deep-end! She had a lot of strings and was quite complicated to use as well as being very heavy! My right arm was killing me after only a few minutes of trying to operate her...

Playing Pinocchio! - Week Five... by Suzanne Kendall It was time to bin convention and let our imaginations out of the bag today. We re-visited some puppetry basics using - bin bags! You may remember my mentioning an exercise involving bin bags in week one - designed to make us appreciate the potential for life in ordinary objects and to stimulate our imaginations - to see a bin bag as something unique; to look beyond its conventional usage. Today we lay our bags out on the floor and simply sat with them for a while. We watched them when they were still and lifeless. And then we witnessed them come to life when we touched them - we watched them respond - they crinkled and wrinkled and moved. We then made a little 'hood' out of the bags by pinching a portion of the bag between our fingers. We suddenly had something that resembled a little 'creature' to play with. We experimented with the different ways our bin bag 'creatures' could move - slowly, qui...

Playing Pinocchio! - Week Four... by Suzanne Kendall More muppet making today! It was hard to believe that 'Maud' could be improved upon - she was already a real beauty! For a more thorough introduction to Maud, see last week's blog post... but once a bag of felt scraps was introduced to the room, opened and buried into, I began to get some ideas...! I gave her eyes a flash of colour - a lovely, bright and seductive green. I gave her rosy cheeks and coloured in her lips so that she had more of a pout. Finally, I stuck on some eyebrows. Predictably, I accidentally stuck an eyebrow onto myself first - it attached itself to me with fresh, hot glue from the glue gun - ow! Those savage days in design and technology at school all came flooding back... a bit of a comedy act ensued with my jumping up and down and running round the room trying to remove the eyebrow from my blistering thumb with my fingers, only then of course to burn my fingers in the process! Needless to...

Playing Pinocchio! - Week Three... by Suzanne Kendall Today, after a couple of weeks of watching demonstrations and listening to talks about puppetry, our puppetry class became practical. I must admit to feeling a little nervous when I was told we would be making muppets! For all intents and purposes we are defining muppets as moving mouth puppets. Many people think that Jim Henson invented the term by blending together the words 'marionette' and 'puppet' but there is some controversy about this... nevertheless, back to muppet making: I might have been a board-treader at school but was never particularly arty or crafty. Art classes were all very well but design technology terrified me - all those glue guns, scalpels   and cutting machines! Today there were glue guns. And scalpels. And electric bread knives!! There was also foam. A lot of foam! The stuff of which muppets are made... Ordinarily you'd start with a block of foam which you would cut and carve...

Playing Pinocchio! - Week Two... by Suzanne Kendall Having established that puppets need to be treated with respect it was time to to show similar respect to a rather famous figurehead in the puppet world Ronnie Le Drew. Ronnie came to the class this week to give a talk about his illustrious career as a puppeteer. He was in fact the man behind some very popular puppets that epitomised my childhood: Zippy in Rainbow, Sweep in The Sooty Show (see photo below) the list goes on... As well as working with puppets on television, Ronnie has also worked in theatre (he began at The Little Angel Theatre itself) and films (including The Labyrinth and Muppets Treasure Island). Here's his Wikipedia page: https://en.wikipedia.org/wiki/Ronnie_Le_Drew His career clearly demonstrates the importance puppets play across all media and how they can connect with a range of audiences too. Suzie x Ronnie Le Drew and Sweep!

And so our journey begins for Pinocchio 2017! We sent our brilliant actor Suzanne Kendall on a six week Puppetry Foundation Course at The Little Angel Theatre, here's her first report..... Playing Pinocchio! Week One... My first session on the puppetry foundation course was absolutely fascinating and made me appreciate what a real art form puppetry is! We looked at why and how puppetry works and were introduced to the idea of puppetry as a communication medium. We examined how the performer treats the object/puppet and how that effects the way the audience perceives it. Oliver Smart (the course tutor) emptied a big bag of puppets onto a table and demonstrated a whole range of them. It was so skilled and entertaining! The strange thing was that the performer completely disappeared and even though you knew they were still there and you could clearly see them operating the puppet, you switched them off. The puppets became more real and life-like than the performe...

The story of Voice of the Show The end of the start  How did Voice of the Show begin? Well, let's go back to a cold December night in 2016.... Four friends are posing for a photo on a stage set. They are sitting on a chair that was found in a skip, in front of them is a hydraulic grave stone, all around are actors and crew relaxing and celebrating the end of a successful run of 18 shows. Their first production:   A Christmas Carol was by all standards a success -   it sold over a thousand tickets, was staged in a theatre that had never seen a production of that scale before and received rave reviews. But amongst the noise and laughter of people drinking  and enjoying the party there was a moment, a pause. The four people in the chair looked at each other and time seemed to hold for a beat - nine months of hard work and stress seemed to crystallise in that single moment. One of them said: 'How did we just get away with that?'  laughter a...